Ink: Zen or Revolution, Katherine E. Nash Gallery, University of Minnesota. (July, 2014)


Boundary: Life or Art, Tianjin Academy of Fine Arts, China. (March, 2013)


Painting and the Abstract Truth, Beijing Film Academy, China. (October, 2009)


The Rule of Art, Korean Art Center, Beijing, China. (May, 2009)



“The Development of Chinese Film Industry and Chinese Art Film”,, October, 2012.


“The Cultural Meanings of Photography”, Journal of Beijing Film Academy,

 Vol.2 (April, 2000).


Selected Bibliography of Cultural Studies, China Reading Weekly,

No.286 (Feb., 2000).


The Quality of Press Photography, China Photo Press, No.906 (Dec.,1998).

Music in Photography, China Photo Press, No.880 (Sept.,1998).


Documentary Photography: Testimony of Humanity, China Photo Press,

No.852 (June,1998).


The Aura of Photography, China Photo Press, No.840 (April,1998).


On Marginal Cultures, Movie and Drama Weekly, No.868, (Sept., 1997).


Basic Features and Aesthetic Characteristics of Photojournalism,


B.F. A. thesis, Beijing Film Academy, June, 1996.


Conference Paper

“Made in China Absolutely”: Cultural Studies of the Advertisements of China-Made Goods”,

Mass Media & Comparative Literature Panel,

The 6th Chinese Comparative Literature Association (CCLA) Annual Conference &

International Symposium on Comparative Literature and Cross-Cultural Communication,

August, 1999, Chengdu City, China.


Main Translations

Michael Harris, Professional Architectural Photography, (Co.)

                              Hangzhou: Zhejiang Photography Press, 2002.

Paul Coates, “The Sense of End: Reading ‘Three Colors’”, World Cinema No.2 (2000)

William Tay, “The Ideology of Initiation”, World Cinema No.4 (1998)


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